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Archive for May, 2011
Kirsten Dunst’s von Trier-related discomfort becomes internet art
May 25th
Lars von Trier‘s “Nazi” scandal gets even dumber.
Moronic Hitler comments get the Danish director banned from Cannes – and now everyone looks bad. Despite this, Kirsten Dunst, who fell off the radar a bit after the Spider-Man movies, now seems poised for a comeback; critics are praising her performance in Lars von Trier’s Melancholia, for which she just won Best Actress at Cannes.
Perhaps you’ve heard some other news recently related to Lars von Trier, Melancholia, and Cannes, but what? Oh, yes, right, von Trier said he was a Nazi.
For Rich Juzwiak (blogger at fourfour and senior editor at VH1.com), Dunst’s response to those remarks constituted an even better performance than she gave in the movie. To commemorate same, Juzwiak assembled this wall of animated GIFs, which finds Dunst’s body language screaming discomfort and a weird kind of grace. It’s pretty mesmerizing.
A still image is above, but be sure to check out the link for the full animated effect.
Bohumil Hrabal’s “I Served the King of England”
May 25th
What is funny and forlorn, where is the comic pathos, in the following sentence? ‘A fortune-teller once read my cards and said that if it wasn’t for a tiny black cloud hanging over me I could do great things and not only for my country but for all mankind.’
Instantly, a person opens before us like a quick wound: probably a man (that slight vibration of a swagger), grandiose in aspiration but glued to a petty destiny, eccentric and possibly mad, a talker, rowdy with anecdote. There is a comedy, and a sadness, in the prospect of an ambition so large (‘for all mankind’) that it must always be frustrated, and comedy, too, in the rather easy and even proud way that this character accepts his frustration: is he not a little pleased with the ‘tiny black cloud’ that impedes his destiny? – at least it is the mark of something. So this character may be grandiose in his ambition, but also in his fatalism.
Such are the goods packed in a typical comic sentence by the great Czech novelist Bohumil Hrabal, who died in 1997. The character relieving himself of this little confession is a garrulous cobbler, who admits to being ‘an admirer of the European Renaissance’, and is the narrator of Dancing Lessons for the Advanced in Age.
And there is Ditie, the picaresque hero of I Served the King of England, a waiter in a Prague hotel, who once served the Emperor of Ethiopia, and worked with a head waiter who once served the King of England. Ditie is usually wrong about everything – he marries a German athlete just as the Nazis are invading Czechoslovakia – but sometimes he says something wise or prescient, and whenever he is complimented for this, he replies, ‘modestly’: ‘I served the Emperor of Ethiopia.’
Hrabal wrote in an expressive, highly visual style. He affected the use of long sentences; in fact his work, Dancing Lessons for the Advanced in Age (Taneční hodiny pro starší a pokročilé) (1964) consists of a single sentence! Political quandaries and their concomitant moral ambiguities are a recurrent theme. Many of Hrabal’s characters are portrayed as “wise fools” – simpletons with occasional inadvertently profound thoughts – who are also given to coarse humour, lewdness, and a determination to survive and enjoy oneself despite harsh circumstances.
Much of the impact of Hrabal’s writing derives from his juxtaposition of the beauty and cruelty found in everyday life.
The 2006 Czech film, I Served the King of England, directed by Jiří Menzel and based on the novel by Bohumil Hrabal. This film is Menzel’s sixth adaptation of the works of Hrabal for film. The film was released in the UK and in the US in 2008.
A must-see. Here’s the trailer and the review on rottentomatoes.com.
Flight of the Bumblebee
May 25th
“Flight of the Bumblebee” is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar’s son) into an insect so that he can fly away to visit his father (who does not know that he is alive). Although in the opera the Swan-Bird sings during the first part of the “Flight”, her vocal line is melodically uninvolved and easily omitted; this feature, combined with the fact that the number decisively closes the scene, made easy extraction as an orchestral concert piece possible.
Nikolai Andreyevich Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.
Rimsky-Korsakov believed in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. More >
